The title card of the film Isha says that it depends on evident occasions. Maltreatment of ladies frames the base of this blood and gore flick, composed and coordinated by Jos Thomaas. What might occur if a lady who was attacked by influential men and denied equity comes back to get revenge? Isha follows that.
After a severe separation, Susan moves to a cabin at a slope station with her little girl Angel and her folks to begin another life. After coming to there, Isha, the soul of a little youngster who was mercilessly killed there, has Angel's body. In spite of the fact that she utilizes Angel's body as an instrument to render retribution, an exorcist, played by Kishore Sathya, stops her. However, Isha is there to remain and finds an option for executing her arrangement.
Phantom stories consistently have takers. In any case, if there is no newness in the portrayal, watching it would be a feverish assignment. In spite of the fact that the film Isha addresses outrages against lady, a pertinent subject, its execution and reason are not new. From the foundation setting to the properties utilized, character portrayal and cosmetics, it is buzzword. A profoundly unsurprising film, it is a blend of those cliché flavors, for example, crotchety dolls, diminish light, frightening shadows and mumbles. Notwithstanding this, Isha is not really alarming. She neglects to make any effect on the crowd.
In acting, Kishore Sathya is persuading as an exorcist. Margret Antony, a huge character, also gives a respectable execution. Abhishek Vinod who assumes the job of Martin progresses admirably. There are a couple of good elevated shots of the slope station that improve the plot. Music is by Jonathan Bruce. There are two melodies of which one could be evacuated as it doesn't add to the plot. Be that as it may, as a thriller, Isha barely panics the crowd.